• fhs-you-cant-take-it-with-you

    Fremont High School’s Spring performances of “You Can’t Take It With You” will be held on May 5th, 6th, and 7th at 7:30 p.m. at the Dogwood Center.

    Click here to purchase tickets! $10 Adults, $12 Adults Night of Show, $5 18 & Under. Main Stage. Reserved Seating. 7:30 p.m.

    Dogwood Box Office hours are Tuesday - Friday from 10:00 a.m. - 2:30 p.m. and two hours prior to an event. For more information please contact the Dogwood Box Office at 231.924.8885.

    Tickets may also be purchased at NCCA-Artsplace in downtown Fremont. Hours are Monday - Friday 9:00 a.m. - 5:30 p.m., Thursday 9:00 a.m. - 8:00 p.m., and Saturdays from 10:00 a.m. - 2:00 p.m.  For more information please contact NCCA-Artsplace at 231.924.4022.

  • fhs-you-cant-take-it-with-you

    Fremont High School’s Spring performances of “You Can’t Take It With You” will be held on May 5th, 6th, and 7th at 7:30 p.m. at the Dogwood Center.

    Click here to purchase tickets! $10 Adults, $12 Adults Night of Show, $5 18 & Under. Main Stage. Reserved Seating. 7:30 p.m.

    Dogwood Box Office hours are Tuesday - Friday from 10:00 a.m. - 2:30 p.m. and two hours prior to an event. For more information please contact the Dogwood Box Office at 231.924.8885.

    Tickets may also be purchased at NCCA-Artsplace in downtown Fremont. Hours are Monday - Friday 9:00 a.m. - 5:30 p.m., Thursday 9:00 a.m. - 8:00 p.m., and Saturdays from 10:00 a.m. - 2:00 p.m.  For more information please contact NCCA-Artsplace at 231.924.4022.

  • fhs-you-cant-take-it-with-you

    Fremont High School’s Spring performances of “You Can’t Take It With You” will be held on May 5th, 6th, and 7th at 7:30 p.m. at the Dogwood Center.

    Click here to purchase tickets! $10 Adults, $12 Adults Night of Show, $5 18 & Under. Main Stage. Reserved Seating. 7:30 p.m.

    Dogwood Box Office hours are Tuesday - Friday from 10:00 a.m. - 2:30 p.m. and two hours prior to an event. For more information please contact the Dogwood Box Office at 231.924.8885.

    Tickets may also be purchased at NCCA-Artsplace in downtown Fremont. Hours are Monday - Friday 9:00 a.m. - 5:30 p.m., Thursday 9:00 a.m. - 8:00 p.m., and Saturdays from 10:00 a.m. - 2:00 p.m.  For more information please contact NCCA-Artsplace at 231.924.4022.

  • sarah-potenza-e1403137038583After spending seven years with her band Sarah & The Tall Boys, Sarah Potenza relocated to Nashville Tennessee with not much more than her husband and her monster vocals. That coupled with her honest reflective songwriting she quickly garnered the attention of the city’s thriving music scene and she became a staple at the world renowned Bluebird Café and the globally broadcast Music City Roots program.

    One of her performances on Music City Roots resulted in a phone call from the NBC television show, “The Voice”. Potenza took the challenge in stride and managed to land a four chair turn and out of 50,000 contestants, she made it to the top twenty!NUP_166046_2022.JPG

    Her passion for performing and undeniable voice resonated with America and made her a fan favorite across the country. Nashville welcomed her home with pride and celebrated her authentic, heart-felt songwriting with a sold out show at the Bluebird Cafe and her debut on the Grand Old Opry.

    Her new album “Monster” will be available in early 2016 and she is currently on tour!

    For more on Sarah Potenza please visit her website by clicking here.

    This program is sponsored by the Dogwood Center Board of Directors.

    Click here to purchase tickets! $17.50. Black Box. General admission seating. Tables can be reserved with the purchase of eight tickets. Call the Dogwood to reserve yours today!

    Dogwood Box Office Hours are Tuesday-Friday 10:00 a.m. - 2:30 p.m. and two hours prior to an event. For more information please contact Dogwood Box Office at 231.924.8885.

    Tickets may also be purchased at NCCA-Artsplace in downtown Fremont. Hours are Monday - Friday 9:00 a.m. - 5:30 p.m., Thursday, 9:00 a.m. - 8:00 p.m., and Saturdays 10:00 a.m. - 2:00 p.m.. For more information please contact the Artsplace at 231.924.4022.

  • rsobwcroppedThe Rhythm Society Orchestra is a 15 piece dance band specializing in true vintage swing music. Their sound is heavily influenced by Count Basie and Harry James. Although based in Detroit, this band covers top venues throughout the Midwest and has been featured on numerous television and radio programs.

    Crooner Paul King describes his style as “a mixture of Mel Torme, Joe Williams, and Frank Sinatra - with a dash of Cab Calloway thrown in”. Detroit’s Metro Times jokes, “his voice has been banned in some nightclubs for inducing public displays of affection on the dance floor”.

    The Rhythm Society Orchestra was recently featured in a Michigan-made independent film, Forever in Time, directed by Chuck Grady.

    Backed by the solid, horn-heavy sounds of the swingin’ Rhythm Society, handsome front man Paul King belts out the tunes in vintage suave style. In an instant, you’ll be transported into the dance halls of the ’30’s and ’40’s, where a cool-suited cat grabs the hand of the nearest full-skirted honey and the dance-floor crowd parts to watch them take a manic dip and twirl.

    “Irresistible big band song - simply flawless” ~Sarah Klein, METRO TIMES

    Click here to purchase tickets! $15 Adults, Kids 18 and under free admission but a ticket is required. Main Stage. General admission. 7:30 p.m.

    Dogwood Box Office Hours are Tuesday-Friday 10:00 a.m. - 2:30 p.m. and two hours prior to an event. For more information please contact Dogwood Box Office at 231.924.8885.

    Tickets may also be purchased at NCCA-Artsplace in downtown Fremont. Hours are Monday - Friday 9:00 a.m. - 5:30 p.m., Thursday, 9:00 a.m. - 8:00 p.m., and Saturdays 10:00 a.m. - 2:00 p.m.. For more information please contact the Artsplace at 231.924.4022.

  • cirque20141

    Discover the Big Top Within….Cirque Amongus, a one-day Circus Camp will introduce children, ages 6- 12 years old, to a range of circus skills.  There will definitely be an abundance of fun as participants laugh and giggle while they ride unicycles and tiny bikes, walk a tightrope or with stilts, jump rope, do magic tricks, stay atop a rolling barrel, swing on a trapeze, or learn to juggle.

    In the morning, students will learn each of the 10 different circus acts.  After lunch, they chose their favorite and spend the afternoon perfecting it and putting together an act with other participants, assisted by Cirque Amongus instructors and volunteers.  At the end of the day, when their families come back, the whole troupe puts on a show with their newly found skills.

    The daylong program by Cirque Amongus, a Livonia company that brings all the equipment and instructors for “Circus Day”, will promote teamwork, self-esteem and fun throughout the day.

    This program is funded in part by a grant from the Michigan Humanities Council and MCACA.

    Click here to register! The cost for the day is $30 per child. Children must be ages 6 - 12 years old to participate and the program will be limited to 50 participants.  It will be a full day of activities between 10:00 a.m. - 4:00 p.m.  and followed immediately with a performance for the families at pick-up time.  Children will need to bring a sack lunch.  Light snacks will be provided mid-morning and mid-afternoon.  Advanced registration is required.

    The Dogwood Center Box Office is open Tuesday - Friday, 10:00 a.m. - 2:30 p.m. and two hours prior to an event.  For information, phone 231.924.8885.

    NCCA-Artsplace hours are Monday - Friday 9:00 a.m. - 5:30 p.m., Thursdays 9:00 a.m. - 8:00 p.m., and Saturdays 10:00 a.m. - 2:00 p.m.  For information, phone 231.924.4022.

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  • villagepuppets7The Village Puppeteers present “Lost in Storyland” in the Black Box!

    In a raucous comic romp, their internationally acclaimed puppeteers riff on classic fairy tale characters.  Packed with silly antics and featuring a cavalcade of colorful puppets, Puss ‘N Boots, the Three Little Pigs, Humpty Dumpty,  Little Miss Muffet and Rumpelstiltskin are joined by a host of others, including a handsome prince, a maiden in distress and a dazzling dragon. Fun for the whole family!

    Click here to purchase tickets! $5, children 3 and under are free with a ticket. Black Box. General admission seating.

    Dogwood Box Office Hours are Tuesday-Friday 10:00 a.m. - 2:30 p.m. and two hours prior to an event. For more information please contact Dogwood Box Office at 231.924.8885.

    Tickets may also be purchased at NCCA-Artsplace in downtown Fremont. Hours are Monday - Friday 9:00 a.m. - 5:30 p.m., Thursday, 9:00 a.m. - 8:00 p.m., and Saturdays 10:00 a.m. - 2:00 p.m.. For more information please contact the Artsplace at 231.924.4022.

  • crystalbowersoxguitarCrystal Bowersox has made it her mission to live life and her music to the fullest. With a gentle warmth and wisdom well beyond her years, the consummate artist has an uncompromising vision of herself and her music that is refreshing and rare. “I believe if you stand for something, stand your ground; stand it strong and stand it proud.” It is this fortitude and courageous spirit that resonated with millions night after night when the 2010 American Idol runner up took the stage. There is a sincerity and authenticity about her that just can’t be manufactured. The same can be said about her musical prowess, which has all the markings of a creative force to reckon with who is in it for the long haul. Her rich amalgam of blues, country, folk and rock makes her one of the most dynamic young voices in music to come along in years. She has performed alongside everyone from Harry Connick Jr., Joe Cocker, and Alanis Morrisette, to Michael Franti, John Popper and BB King. All That For This, Crystal Bowersox’s sophomore release and Shanachie Entertainment debut, is a powerful testament to her talents as both a singer and songwriter, as well as her unerring musical vision. She confides, “I am more proud of this body of work then anything I’ve done before. If this music can move someone to tears or makes them smile, then I have really accomplished something. That’s all I can ask for.” All That For This is Crystal Bowersox’s emancipation from judgment. It is the manifestation of her own womanhood and enlightenment won through hard fought battles, failures and triumphs. It is the belief that listening to your own inner voice will lead you where you need to be. “I am learning not to judge music and myself so harshly and to not allow myself to be swayed by other’s judgment. I’m trying to listen to my own instincts more often. I can’t convince someone who doesn’t like my music to like it, but for the people who do, I want to play them another song,” she says smiling. Until now, the world has witnessed only a portion of Crystal Bowersox’s talent, which was channeled through mainstream pop expectations on her debut release, Farmer’s Daughter. With the highly anticipated release of All That For This (March 26, 2013), produced by Steve Berlin (Los Lobos, Sheryl Crow, John Lee Hooker, Raul Malo), Bowersox exposes a new dimension of her music. “There are definitely more happier light-hearted moments on this record,” confides the 27-year-old Portland transport. “There are also touches of some of the darkest places and emotional states that I’ve been in my past. This album reveals a much more grateful and gracious side of me. It’s the next chapter of my life.”

    Bowersox’s new recording is a finely crafted and beautifully arranged tapestry that illustrates the dynamic singer’s keen ability to shape a narrative poetically and metaphorically, inviting listeners into her world. “I was regularly obliterated by how powerfully Crystal can connect,” says Steve Berlin. “I can say that tears and goose bumps were a fairly everyday occurrence.” All That For This showcases originals and co-writes with the exception of a lone cover by the 90’s British Pop group, The Sundays, which was suggested by Berlin. “My gut instinct told me it would be beneficial to work with Steve and that I would learn something and the record would be all that I wanted,” explains Crystal.

    “Steve brings everything to the table. He is a percussive genius. He thinks of rhythms that would never come to me naturally.” Berlin, who admittedly did not watch American Idol and who was not familiar with Crystal, quickly became a convert. “I really didn’t know what to expect from Crystal as far as songwriting, but one listen to the demos and I knew this was no amateur,” says Berlin. “She kind of blew me away with how intelligent and soulful her writing was and once we got into the studio it was obvious she had an amazingly deep connection to the material.”


    All That For This features many first unions but there is one in particular that was a special highlight for the singer who is originally from Northwest Ohio. Jakob Dylan joins Crystal Bowersox for a duet on her hypnotic country waltz Stitches. It was an experience she calls ‘wonderful.’ “I grew up a fan of the Wallflowers,” she says. “I can remember wearing my headphones and walking down the property line on my moms farm listening to Bringing Down The Horse. What his music did for me was give me a place to escape to when times were tough. Working with Jakob was a truly a dream collaboration for me.” Other highlights include the lilting, tender and affirming title track where Crystal croons, “All that I’ve been through was just a stepping stone to where I’m going to…” She angelically sings about her faith in destiny and shows us that sometimes you just have to follow your heart and trust that it will lead you down the right path. “My entire life has been serendipitous. Each moment has led me to the next,” she explains. “There is little to question as to how I have gotten to this place. I have let myself trust in the universe and my instincts have not led me wrong. I am thankful I have learned to listen to my heart the way that I have.”

    Bowersox rejoices on the sweepingly beautiful Amen for my Friends, speaking to the blessings of friendship. She testifies, “I’ve been down. I’ve been out and nowhere. I’ve been on my knees begging for some kind of peace. People come- people go but one thing’s for sure, if I need you you’ll be there I know. Amen for my friends!” All That For This also includes Dead Weight, featuring Crystal’s rich and emotive alto ringing truth with the potent lyrics, ”If you don’t know I’ll tell you now…Don’t go beating dead horses keep steady your course.. if you’re holding on to dead weight it’s just holding you down.” Crystal penned the song Till The Whiskey’s Gone with a dear friend of her husband’s, Austin musician Charlie King. She brings the heat on this rocked out anthem, as only she can. The zen and funky Fall Into Place opens with an insatiable guitar riff and Crystal makes her declaration for independence and bares all on the show stopping bluesy number Moving On. Throughout Bowersox raises the bar as a triple threat adept at shining as a vocalist, composer and guitarist. Steve Berlin adds, “She was never anything but amazing. Her time and feel were unerring and that’s her guitar you hear on every single track!” Both Crystal Bowersox and Steve Berlin are Portland based and The City of Roses provided fertile ground for their creative vision to germinate. With assistance from recording engineer Jeremy Sherrer, the duo called upon many of the city’s finest cutting edge musicians to create an inspiring band. Some of the artists include drummer Scott McPherson (Beck, Bright Eyes, She & Him), bassist Dave Depper (Loch Lomond, Blue Giant, Mirah), guitarist Paul Rigby (Neko Case, A.C. Newman, Jakob Dylan) pianist/keyboardist Asher Fulero (Halo Refuser, Everyone Orchestra) and vocalist and multi instrumentalist Jans Ingber (Norah Jones, Charlie Hunter, Joshua Redman, Art Neville). “I’ve met a lot of great people working on this record,” states Bowersox. “From my musical peers and others in Portland, I have learned so much from their attitudes about life and their work ethic. It’s easier going here and that is something I really needed to incorporate into my life.” As early as eight, Crystal Bowersox has recollections of hitting the karaoke hot spots with her mom, performing Patsy Cline hits among others. She recalls, “Music was always there and there wasn’t anything else I ever wanted to do.” Although the spotlight shone on Crystal when she appeared on American Idol, she was already a seasoned veteran of the folk circuit before she was on the show. She began performing regularly at ten and by her teens she was gigging steadily. In 2004 she relocated to Chicago where she spent several years honing her skills on Chicago’s North Side, busking at train stations and performing at clubs and bars, as well as internationally.

    2010 was a big year for Bowersox who placed second in one of the nation’s biggest singing competitions, married fellow musician and friend Brian Walker, and released her critically heralded Farmer’s Daughter. Her recording debut was a powerfully moving and personally revealing recording that dealt with real life issues including childhood abuse, love and life’s everyday challenges.

    Crystal shares, “I feel like I’m finally achieving a sense of balance in my life and it’s making itself evident in my new material. My career is really still in its infancy and the possibilities are limitless. The silvery residue from Idol has faded a bit and now it’s all about what’s true and real in my world. I’m paying way more attention to the things that really matter and making more of my decisions based in kindness and love. My son has taught me so much about that, how strong I can be, even in my weakest moments.” In 2012, Crystal was featured on Blues Traveler’s release, Suzie Cracks the Whip, where she performed a lively duet with Harmonica virtuoso John Popper on the song I Don’t Wanna Go. She also quietly released an acoustic five song EP titled Once Upon a Time with long time friend, bassist and collaborator Frankie May. The material featured pre-American Idol recordings. Diagnosed with Type 1 Diabetes at age six, Crystal Bowersox has played an active role in advocating awareness and education for the disease. “Initially I did not want to dive into that role and tell the world. There were some issues of shame and embarrassment. It’s a lonely disease, you feel like you’re the only one who has it sometimes,” she says. “I want people to know that they are not alone and that people from all walks of life have to deal with Type 1 Diabetes. I know what kids and adults with this disease are going through. I want people to know that it is important to know how to care for your body. I am happy to be a voice. It brings joy to my world to be able to help people.” A busy mom who delicately juggles motherhood and a thriving music career, Crystal admits that the challenge is not always easy. Understanding the importance of taking care of oneself and finding balance, she manages to find the time to knit and do yoga, which she says has helped with both her blood sugar and performances. She also loves to put her culinary skills to the test and has even thought about putting together her own cookbook. She adds, “I am health conscious and I do my best to take care of my body in every way I can.” She also believes in taking care of our planet. “Somehow this year I plan to wean our household off fossil fuel. Not sure how quite yet but it’s something that’s important to me, and most important for my son, and all of our children.” One of the most admirable attributes about Crystal Bowersox is her down-to-earth, no-nonsense, what-you-see is-what-you-get vibe. She honestly loves the exchange with her audience and is thrilled to be hitting the road in support of All That For This. “There is a world of difference when you get to meet people, look into their eyes, hear their stories, share your own and make a connection. You can’t beat that.” With a new CD, national tour and some high profile acting ambitions in sight for 2013, it looks like the sky is the limit. Bowersox concludes, “I hope this music thing works out because I am a really bad waitress. I am rooting for music!”

    For more on Crystal Bowersox please visit her website by clicking here.

    Click here to purchase tickets! $17.50. Black Box. General admission seating. Tables can be reserved with the purchase of eight tickets. Call the Dogwood to reserve yours today!

    Dogwood Box Office Hours are Tuesday-Friday 10:00 a.m. - 2:30 p.m. and two hours prior to an event. For more information please contact Dogwood Box Office at 231.924.8885.

    Tickets may also be purchased at NCCA-Artsplace in downtown Fremont. Hours are Monday - Friday 9:00 a.m. - 5:30 p.m., Thursday, 9:00 a.m. - 8:00 p.m., and Saturdays 10:00 a.m. - 2:00 p.m.. For more information please contact the Artsplace at 231.924.4022.